Presenting “A Taste of Malaysian Folk-Based Choral Music for Treble / Women’s Choirs”! Thank you for the invitation, Marian Dolan and Morna Edmundson!
This online workshop is organized by: Bandung Choral Society, Indonesia.
Thank you, Pak Tommy Kandisaputra for the invitation!
A conversation between Tracy Wong and Ahmed Anzaldúa. Take Note Magazine, Graphite Publishing, March 2023.
Opportunities to drop-in and Meet the Composers at PODIUM’s Marketplace! Stop by our booth where different composers are featured each hour.
Vivian Chua studied piano and violin at the Royal College of Music London from September 1994 to July 1996. She transferred to the Royal Academy of Music London in September 1996 to continue with her piano professor Frank Wibaut where she graduated with honours in piano performance in 1998.
Vivian’s first foray into composition began by being one of six young composers for the Malaysian Philharmonic Orchestra’s (MPO) Young Composers Forum and this resulted in ‘Water – Moods and Reflections’ for chamber orchestra, premiered on 30 March 2003 at the Dewan Filharmonik Petronas conducted by Kevin Field.
Looking forward to meeting choral colleagues at concerts, interest sessions, and the Graphite Publishing Booth!
Every compositional process is unique, and that’s why I love it! I try to create special moments that immerse me in the subject / theme for an experience that only the piece and I understand…
Collaborate with Tracy
If you would like an existing piece/song arranged specifically for your choir, please contact me and I will be happy to discuss the concept you have in mind and how we can best collaborate to create a unique choral arrangement!
I would love to hear about your performance of my pieces and share these on my online platforms! It would also help me provide SOCAN/ASCAP with the accurate information in order for me to receive royalties payment from these performances. I welcome you to submit info about performances!
I am exploring how I can be an empowered voice for the various communities I identify with and represent. I envision my music from Page to Performance, through Pedagogy, and am finding ways to be supportive of those who are allies for cultural acknowledgement of repertoire programming of my music. Please take a moment to read more about my advocacy.